|
YEAR |
TITLE |
COMMISSIONED/
PERFORMED BY |
| 1960 |
Gillespiana Suite
for Trumpet & Brass |
Commissioned
by Dizzy Gillespie |
| 1961 |
New Continent
Suite for Trumpet
|
Commissioned
by The Monterey Jazz Wind and
Percussion Festival |
| 1962 |
Jazz Faust (Ballet) |
Commissioned
by President Kennedy’s
Commission of the Arts |
| 1962 |
The Ritual of
Sound
|
Gunther Schuller
and the Carnegie Hall Chamber
Orchestra |
| 1963 |
Variations for
Percussion, Strings
|
Commissioned
by The Los Angeles Harp and
Cellesta Philharmonic Orchestra |
| 1963 |
Labyrinth
|
Commissioned
by The Canadian Broadcasting
Corporation |
| 1963 |
Study in Rhythm
|
Commissioned
by The Canadian Broadcasting
Corporation |
| 1964 |
Innovations
|
Commissioned
by Stan Kenton and the Neophonic
Orchestra |
| 1965 |
Canons for String
Quartet |
Commissioned
by The Los Angeles String Quartet |
| 1966 |
Cantata –
You Shall Not Make War Anymore |
Commissioned
by The University of Judaism |
| 1966 |
The Jazz Mass
|
Commissioned
by RCA and the Vatican |
| 1966 |
Gesualdo Variants
for 16 Instruments |
Commissioned
by The Ojai Music Festival |
| 1967 |
Cantata for
the Rise and Fall of the Third
Reich
|
Commissioned
by The Los Angeles Philharmonic
Orchestra |
| 1967 |
Symphonic Sketches
of Cool Hand Luke |
|
| 1969 |
Continuum for
Harp |
Commissioned
by The American Harp Association |
| 1970 |
Dialogues for
Jazz Quintet & Orchestra
|
Commissioned
by Cannonball Adderley, Recorded
for Capitol Records |
| 1970 |
Pulsations for
Symphony Orchestra, Jazz Band
and Electronic Instruments |
Commissioned
by The Los Angeles Philharmonic
Orchestra |
| 1972 |
Madrigals for
the Space Age Text by Ray Bradbury
|
Commissioned
by The Roger Wagner Chorale |
| 1973 |
Movement for
Strings |
|
| 1973 |
Journeys (for
One Percussionist Playing 100
Instruments) |
The University
of Southern California |
| 1980 |
Capriccio for
Clarinet and Strings Orchestra |
Commissioned
by The Israel Philharmonic |
| 1980 |
Invocations
for Orchestra |
Commissioned
by The New American Orchestra |
| 1983 |
Tropicos |
Premiered by
the American Chamber Orchestra |
| 1984 |
Concerto for
Guitar and Orchestra |
Recorded by Angel
Romero and
The London Philharmonic Orchestra |
| 1984 |
Central Park
Variations for Clarinet and
Piano |
Commissioned
by David Schifrin |
| 1985 |
Piano Concerto
#1
|
Commissioned
by the Mexico City
Philharmonic Orchestra |
| 1986 |
Concerto for
Double Bass Orchestra |
Commissioned
by Gary Karr and recorded by
the Paris Philharmonic Orchestra |
| 1986 |
Statue of Liberty
(A Symphonic Celebration) |
Premiered at
the Hollywood Bowl with the
Glendale Symphony Orchestra
on
July 4, 1986 |
| 1986 |
Three Tangos
for Flute, Harp and Strings
|
Commissioned
by the Los Angeles
Chamber Orchestra |
| 1986 |
Romerias –
Guitar Solo |
Commissioned
by Angel Romero |
| 1987 |
Resonances for
Piano |
Commissioned
by Paulina Drake |
| 1987 |
Pan American
Games Overture |
Commissioned
by Disneyworld and CBS |
| 1987 |
La Nouvelle
Orleans for Woodwind Quintet
|
Commissioned
and recorded by the
Woodwind Quintet Dorian |
| 1988 |
Dances Concertantes
for Clarinetand Orchestra
|
Commissioned
by the Kansas City
Symphony Orchestra |
| 1988 |
Cantos Aztecas
(Cantata) |
Commissioned
by the Mexico City
Philharmonic Orchestra, premiered
by
Placido Domingo, the Mexico
City
Philharmonic Orchestra and the
Archeological Museum of Mexico,
Based on ancient Aztec poetry
by the
12th century Prince Nexahualcoyotl;
October 1988 |
| 1989 |
The Trial of
Louis XVI (opera) |
Commissioned
by Placido Domingo |
| 1990 |
Impresiones
Fantasy for Trumpet and
|
OrchestraCommissioned
by Doc Severinsen,
performed by the Glendale Symphony
Orchestra, October 1990 |
| 1991 |
Piano Concerto
No. 2 (The Americas) |
Commissioned
by the Steinway Foundation |
| 1992 |
Cantares Argentinos
|
Commissioned
by the Los Angeles
Master Chorale |
| 1993 |
Symphony No.
1 (Queen Lili’Uoakalani)
|
Commissioned
by Lili’Uokalani Foundation
in memoriam of the last Queen
of Hawaii,
performed by the Honolulu Symphony
Orchestra, recorded by the Vienna
Symphony Orchestra |
| 1994 |
Homage a Ravel
|
Commissioned
by the Eaken Piano Trio,
Dickinson College |
| 1996 |
Concierto Caribeno
|
Performed by
Benjamin Juarez,
Juan Carlos Laguna (guitar),
Marisa Canales (flute), and
composed and
conducted by Lalo Schifrin with
the
London Symphony Orchestra |
| 1997 |
Tango Del Atardecer
|
Main theme from
the film “Tango”
symphonic version |
| 1998 |
Divertimento
pour les Ensemble des Violoncelles |
Performed by
the International Cello Festival
in Beauvais, France |
| 2000 |
Jazz and Blues
Variations, A Symphonic Celebration
|
Performed by
the St. Louis Symphony
Orchestra; commissioned by the
AMTA
(The American Music Therapy
Association) November 16, 2000;
St. Louis, MO |
| 2001 |
Symphonic Impressions
of Oman |
Commissioned
by the Omani government,
recorded by the London Symphony
Orchestra |
| 2003 |
Fantasy for
Screenplay and Orchestra
|
Commissioned
by the Chicago Symphony
Orchestra; to be premiered October,
2003 |
| 2004 |
Triple Concerto
for Clarinet, Viola, and Orchestra
|
Comissioned by
the Halcyon Trio, premiered
PianoSeptember, 2004, with the
New Jersey Symphony Orchestra. |
| 2005 |
Jazz Meets the
Symphony, No. 6 |
Commissioned
by Symphony Australia and
premiered by the Adelaide
Symphony Orchestra in February,
2005 |
| 2005 |
Letters From
Argentina (Chamber Music Program)
|
Commissioned
by the Lincoln Center and
premiered by the Lincoln Center
Chamber Ensemble in April
2005 |
| 2006 |
Concerto for
Percussion & Wind Orchestra
|
Commissioned
by American Wind Symphony Orchestra.
Will be Premiered in summer
of 2007 |
| 2007 |
Double Concerto
for Piano, Trumpet and Orchestra |
Commissioned
by The SMILE Foundation. To
be premiered by Ambre Hammond,
James Morrison, and the SydneySymphony
in July, 2007 |
| 2007 |
Elegy to Joseph
Haydn |
Commissioned
by Austria in order to
Commemorate the second bicentennial
of
Joseph Hayden’s death |
| 2008 |
Tangos Concertantes |
Commissioned
by virtuoso Cho-Liang
“Jimmy”
Lin to write work for violin
and chamber orchestra |
| 2010 |
Crosscurrents |
Commissioned
by Quattrocelli to write work
for four cellos. Premiered June
2010, Cello Festival Rutesheim,
Germany |
